theme songs

This text will be replaced by the flash music player.

This text will be replaced by the flash music player.

This text will be replaced by the flash music player.

schedule
February 2008
All out of love
Sun Mon Tue Wed Thu Fri Sat
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30

labels
Art Prompts
Artwork
Painting
Photography
Poetry
The Progression of D
Prose
Weekly Tidings
Writing Prompts

past posts
The Y Paradox
Can you gain heart weight?
Tuesday Tidings - 10JUN
Working Out My Heart
Bittersweet, minus the sweet part
Tuesday Tidings - 13MAY
Tuesday Tidings - 6MAY
Lonely Sniper
Tuesday Tidings - 22APR
Pouncing Prey

archives
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
July 2007
September 2007
November 2007
February 2008
March 2008
April 2008
May 2008
June 2008
chelleart
[ chelleart.net/blog ]
© 2006 to me. Seriously.
My Photo
Name: michelle
Location: New Jersey / New York, United States

I might surprise you.

LOVES
& writing in moleskins
& painting with expensive brushes
& looking through the viewfinder
& dining out
& traveling
& m.a.c. cosmetics
& grey's anatomy
& jake gyllenhaal
& fafi!

HATES
& bad drivers
& passive aggressive behavior
& arrogance

My loves

Projects
ChelleArt.net
My domain home, which is primarily used as a professional website. It houses my resume and other boring things employers need to know.

Seriously
I will soon be co-hosting a blog about the t.v. show Grey's Anatomy because my life could not get any more exciting.

My Blog
I put this here just in case you couldn't find your way back home.

Disclaimer:

I write about my life on this blog. And my life, like yours, is totally unpredictable. I cannot control the course of events, nor can I control the actions of the other characters, or my own reactions for that matter. So I write it down. To make it real. I apologize if you make a cameo appearance resulting in low ratings. It's not my fault that you continued to read about how much I hate you.

blogroll
Be Present, Be Here
Cakalusa
Citizen of the Month
Design*Sponge
Grey Matter
Iggymonster
Indexed
It's Raining Noodles
MaddSpace
Paris Breakfasts
Poetsday
PostSecret
Steezy
Sueyblog

creativity
Inspire Me Thursday
NaNoWriMo Contest
One Deep Breath
Macro Day
Moody Monday
Photo Friday
Photo Sharks
See It Sunday
Self Portrait Challenge
Sunday Scribblings

i've read

i've seen
www.flickr.com

odds/ends
Design concept owed to heroine.

Locations of visitors to this page ClustrMaps.com
ChelleArt

Powered by Blogger
Thursday, December 21, 2006
Poetry Thursday: Free Choice

Let X equal the quantity of all quantities of X

Let X equal your warmth. It burns
during the summer, when the sun
does not forgive or forget. The days
of warmth keep me cold. In heat we
rest ice cubes on our pulse points and
let it melt, cold as hot wax on skin.
Water drips from wrist to the inner
folds of our elbows, a river of veins.
And when the cube melts down, you
wipe your skin with a white washcloth
and soak the river up dry. But I
bathe and almost drown in the thaw.
And the washcloth turns red, like tongues.
But X is not infinite, so on the next line,
Let X equal the number of tongues
I chopped off to forgive and forget,
because your warmth does not thaw
and my arms now are rivers frozen.

This poem was inspired by a portion of David Auburn's play called Proof, which was made into a movie in 2005 starring Gwyneth Paltrow and my lover Jake Gyllenhaal. Part of the movie focuses on the dwindling mind of this old mathematician, whose genius is being replaced by his insanity. He starts writing what he thinks are mathematical proofs, but which are merely incoherent ramblings. When I read this however, I read it as poetry. I was moved by the sadness, the stillness, the freedom. And it's funny how I chose to limit my own version to the constraints of this original poem's form, when I initially admire it for its originality. I guess its simplicity and candor impressed me. There are no flowers, just the facts, just what is, and sometimes, that poetry is the hardest to write. This is the original:

Let X equal the quantity of all quantities of X. Let X equal the cold. It is cold in December. The months of cold equal November through February. There are four months of cold, and four of heat, leaving four months of indeterminate temperature. In February it snows. In March the Lake is a lake of ice. In September the students come back and the bookstores are full. Let X equal the month of full bookstores. The number of books approaches infinity as the number of months of cold approaches four. I will never be as cold now as I will in the future. The future of cold is infinite. The future of heat is the future of cold. The bookstores are infinite and so are never full except in September...

Happy Poetry Thursday all. And Happy Holidays!

Labels: ,

Monday, December 18, 2006
Sunday Scribblings: Anticipation

When I was seven years old, I thought New York streets were gilded with gold. I was anticipating stepping foot onto those streets, having the gold rub off on the soles of my shoes. I had so many visions of what life in America would be like, filled with shine and luster and a neverending supply of grapes - an expensive export good in the Philippines. My father, who for some time I had referred to as the man who brought grapes, always brought them in bagfuls when he came home every year to visit my mother and I. And finally, after seven years of stunted visits and unfamiliar hugs, we were going to be a family. And my father would be my father, not just the grape bearer. And we were all going to live happily ever after in the gilded gold kingdom of Queens.

It turns out, that the streets were not paved with gold, but rather dry gum, garbage, and often the smell of urine. From this experience of broken hopes, I've come to associate anticipation with many of the world's evils. It's right up there with war, murder, and people who like to cut me off on the highway. Anticipation is more than just your expecation or your eagerness for something to happen. It's your vision of that event. And oftentimes, we're not very level headed about those visions. We imagine either the worst or the best, which are the ingredients that cause heartbeats to pound at the speed of light.

So if I were a doctor, I'd prescribe some anti-anticipation medicine for those who experience hypertension and the like. Why get yourself all riled up, if in the end all you'll find is a wad of gum stuck to the bottom of your shoe instead of the promised gold?

I didn't realize I was this bitter about the lack of gold streets in New York. I'm disillusioned, that's all. I have been since the age of seven when we rode the taxi from JFK to Woodside, Queens, and passed by dark, grungy neighborhoods. I remember asking myself, while freezing in the 60 degree Spring weather, "I left my tropical paradise in the Philippines for this place? There better be grapes on the table when we get to where ever we were going!"

But while anticipation can dampen the course of events, I think we need that rush of excitement, that hope, that eagerness to get through life. We have to be excited about what comes next. We have to anticipate the future, otherwise we really wouldn't have one. We'd end up living routine, unchanging lives.

So maybe, if I were a doctor, I wouldn't prescribe the anti-anticipation pills. Maybe I'd just tell my patients to stay level-headed, practical, and realistic. Anticipating gilded gold streets may be fantastical, but the never ending supply of grapes was at the grocery store just a few blocks away.

**
Anticipating more reading? Head over to Sunday Scribblings.

Labels:

One Deep Breath: Storm

Liquid Punch

Rain pelts solid ground,
Like clenched fist on tender skin.
Rainfall, a storm's pound.

**
Visit One Deep Breath to read more storming poetry.

Labels: ,

Thursday, December 07, 2006
Poetry Thursday: Meme

1. The first poem I remember reading/hearing/reacting to was ...Sylvia Plath's "Morning Song." For me, this poem was an awakening.

2. I was forced to memorize (Annabel Lee by Edgar Allan Poe) in school and...it opened my eyes to literature. I attribute my love for the written word to Poe and Emily Dickinson. I just remember feeling very attached to this poem, even though as a fourth grader, I don't think I could have fully grasped the sadness in this piece.

3. I read/don’t read poetry because …it helps me breathe.

4. Poems I’m likely to think about when asked about my favorite poems are ...Sylvia Plath's "Morning Song," T.S. Eliot's "The WasteLand," Ezra Pound's "In a Station at the Metro," James Tate's "Never Again the Same" ... and so much more.

5. I write/don’t write poetry, but...I'm often guilty of writing poetry to improve my prose. It helps me focus on the details, the picture within the picture, the key moments in the plot, the intricacies of each character.

6. My experience with reading poetry differs from my experience with reading other types of literature ...in that when I read poetry, I tend to slow myself down. Although I like to read prose aloud as well, whenever I read poetry, I have to read every single word, pause at each caesura, hear each and every sound. Poetry is a very meticulous experience for me. I often feel like I'm in a maze, where I have to carefully filter my way through words to get to the end of all the twists and turns.

7. I find poetry …
in my mother's cooking
in the swing of my father's hammer as he's working on our home
in the tilt of my little brother's cap
in the brittleness of my nails
in the lone leaf still attached to the tree branch in the middle of winter
in a chipped tooth
in a confused memory
in a cold embrace
in uncontrolled laughter
in cradled tears
in whispers
in ice and how it forms
in the car when i drive you home at night
in the squareness of this cubicle
in the waning gibbous
in earthquakes
in birth
in death
in each and every inhale and exhale

8. The last time I heard poetry … was last year, at a Verbal Mayhem meeting where a group of poets from my university (Rutgers - go Knights!) come together once a week to read their finished pieces or works in progress. That night was the first time I read my own work after a four year silence.

9. I think poetry is like … how we store memory. It is selective in its process, but this selection is unexpected and can be triggered by anything in our sensory and emotional landscape. Poetry does not need a plot or a sense of completion to invoke a thought, a feeling... the same way memories do not need the complete string of events to invoke nostalgia.

**
Find more responses at Poetry Thursday.

Labels: ,

Monday, November 27, 2006
One Deep Breath: Legacy

My mother's scent

She leaves me with the
smell of blueberry muffins
baked in kitchen walls.

Book of recipes
bound by wrinkled hands is my
mother's legacy.

But all I leave are
words and an empty kitchen
burning with her scent.

**
Go to One Deep Breath to read more haiku about legacies.

Labels: ,

My nemesis, The House

When most parents took out a mortgage to pay for their child's college expenses, mine took out a mortgage to raise the roof. And I mean that literally. They raised the roof of our sweet and quaint Cape Cod house to make it look like a Georgian inspired Colonial, with a bit of a modern flair: we have a skylight in the center of our dining room.

Most people would be grateful for the revamp: an additional bathroom, two new bedrooms to replace my single slanted-roof, yet oversized bedroom upstairs, a larger kitchen, a new dining room, larger living room, a study, a family area, a master bath (with jacuzzi), and a walk in closet. Yes, most people would not have any complains to the aforementioned renovations. In fact, I think almost everyone would embrace the remodel with open arms. It's true that at first, I was excited about the construction. But one's excitement over home renovation is much like one's excitement in a relationship. There is a honeymoon period, and it passes... fast.

It also didn't help that my father, an architect, also considers himself a contractor. So after the real contractors built the frame and installed the roof and the siding, my father decided he would finish the house himself. 2007 will mark The House's four year anniversary as a work-in-progress. When there was the slightest imperfection in the way the real contractors installed a window, my father would redo it. He actually is that anal about The House, which is why I consider it my arch enemy.

We used to be good friends. I think most nemeses were friends at one point. Look at Superman and Lex, the Professor and Magneto, uhh, Rocky and Breanna on Laguna Beach. My point is, I never expected The House I lived in to become my arch enemy. It just sort of happened.

The House's attacks
  1. The renovations created a severe allergy condition to dust and mold. I think it may be trying to kill me through dust particles.
  2. As the wicked witch uses her little monkeys as spies and helpers, the house employs Craftsman tools from Sears to discreetly murder me. I fear, that at night, the sharp blades of the Compound Miter Saw will unhinge and roll across my neck.
  3. The house has even set up traps for me, which could easily appear as accidents in any police report. Take for example, the lack of a staircase railing. One false move, and I would be tumbling down the newly varnished wood floors.
  4. Because the cabinets have not been installed in the kitchen, we have no kitchen sink and have to use the laundry room sink to wash dishes (even though there's a perfectly new dishwasher sitting in a box in the garage!). The laundry room is in the spider infested basement. I have a case of arachnaphobia.
  5. The house is trying to get me fired from my job. Until my room is completed, my dresser/drawers will remain in the basement. And the extra time to walk up/down the stairs to pick out an outfit is causing chronic lateness.

These are just a few of The House's transgressions against me. And I have yet to develop a solid superpower to protect myself from its attacks. I feel as though, I almost stand powerless against The House, because its kryptonite comes in so many shades of green. For the time being, time will stand as my shield, my defense. The more time passes, the closer The House will be to its completed state.

Like most nemeses, I believe that The House just wants some sort of closure or victory from past transgressions against him. Perhaps, its completion will satisfy him enough to end the rivalry between us, so that I can redecorate my newly furnished room in peace. Maybe it's just angry for being torn down and for being left unfinished. Until then, I'm cautious of the stairs. Unfortunately, I can't keep the Miter Saw out, as all our doors have circular holes waiting for door knobs. I guess you win some, and you lose some.

**

Read about everyone else's nemeses at Sunday Scribblings.

Labels:

Tuesday, November 21, 2006
Past due haikus

_____
Friends and Companions
Dew Tears

True friends catch tears,
as leaves catch morning drops of dew,
from vein to mid rib.

_____
Share the Story (Haibun)
The Cheater

Whistling blue kettle
in the cold of your kitchen
silences my hands

And burns the azure
of your eyes, when you see that
he is my new love.

So we sip tea in
chipped cups, and pretend that
the room does not steam.

_____
The Unseen
Barren

Where is woman in-
side a body, of lost eggs,
longing for a child?

_____
Mystery (Yugen)
Shed Love

Our love sheds its skin,
as snakes slide out of layers
old, to be reborn.

_____
Simple Pleasures
Seed Lashes

The comb of your long
lashes on my fingertips.
A seed lick'd by breeze.

_____
Countryside
Plain waves

Antique red barn floats
on green swatches of flat plain.
Boat buoys on blue wave.

_____
Sweet Serenity
How to read

Flip each page
as if it sniff pink cherry
blossoms at first bloom.

_____
Windows and Doorways
Your door, my portal

Your door, my portal
to the in-between of love:
hardwood, cherry-scent.

Before you open
Knock on the echo
of your locked door, before you
turn the key to love.

***
Past due haiku prompts from One Deep Breath. I decided to catch up on writing these, because I hate feeling those gaps. They hurt like tooth cavities, especially when the air is cold.

Labels: ,

Thursday, November 16, 2006
Poetry Thursday: We Lie

We Lie

In bed, we lie
on gray cotton sheets, a bed
of storm clouds. I let my back
collapse on your chest,
like falling rain on earth. And
the only splatter made is
a skipped
heart-
beat.

Our eyes, just lie
encased, entrapped. Pretend
this is void
of meaning, yet I see
a soul in purgatory
wailing in
the sky of your eyes.

We lie, in bed, in love
a stifled kiss exchanged
before putting on clothes
thrown on the floor.

I want to say, enough.
You want to say, you're done.
But the lie is in the love, and
we can't seem to let go
of the time when
birds began
to migrate south
and used to puncture
those gray clouds right up
above our bed.

So we lie in silence
and pretend again
that birds will come
back one day, although
we both know
they've gone.


This week, at Poetry Thursday, we were asked to do an excercise on lying. And well, this poem is devoted to H and the "special" relationship we share. Special, as in I still love him, but I know I'm lying to myself whenever I hope that things will change, that he will change, that in time I won't be second best to his other love: MJ. But the truth is, I'll always be second best to his high. It's really frustrating when you decide you're going to give your all to someone, but realize later on that he's already given his all to something else. It'll take some time to let go, but in the meantime, I want to be trutful to myself. It's just so hard to do that, when your brain and heart are both asking you to remain hopeful. I wonder then, if our own hearts and our own minds lie to us as well. We think we have control over our thoughts and emotions to a certain extent, that we are able to identify moments when we know something is fabricated - but what if we don't? What if ultimately... lies are inherent, or necessary for survival? Well that's the topic of another poem.

In the meantime, read everyone else's little whites at Poetry Thursday.

Labels: ,

Wednesday, November 01, 2006
Poetry Thursday: Line

A far sea moves in my ear

Sometimes, when you talk
I do not hear sound, but taste
and savor your voice
like an apple, round. And
I bite hard, but no crunch comes, just
juice.

It rests on a bottom lip, while
echoes enter through my eyes
in waves, as though I
were submerged under water,
deaf to air.

Frequencies flog. Crests
and troughs fuse into one,
heal like the basin between
broken flesh.

But wounds are deltas, that
collect, deposit, conceive,
drown in the river of my mouth.

That sometimes, when you talk,
I do not hear a sound, but taste
the juice of your voice in my ear,
when a far sea moves.

**
The poem above was inspired by:

All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear. ««« My favorite line of all time

an excerpt from Sylvia Plath's poem Morning Song

This week at Poetry Thursday, we were asked to share a favorite line of poetry and use it as a springboard for a poem or explain why it resonates with us. Sylvia Plath's Morning Song was the first poem I read after about three years of a poetry drought in my life, when prose and I had a monogamous relationship. After reading this poem, it turns out that I was bi-literal, and could not limit myself to one literary form! That was my attempt at a joke. It's dorky, I know, but dorkiness is my selling point. D recently informed that identfying that as such was extremely "gayyyy." This is coming straight from his mouth, so all offensive email and complaints should be directed to him.

Anyway, I remember putting my hands to my ears after reading this line, feeling as though waves were crashing in my ear. My heart moved, in silence, but enormously like the great expanse of the sea. Whenever I encounter love, I recall this line and think that this kind of silence, of a far sea moving in one's ear, is what true love feels like. No, I was not under the influence of alcohol or drugs while experiencing this poetic phenomenon. Gosh, my experiences really do border that of drug induced hallucinations. But I can honestly attest that I was sober, since I had finished the last Smirnoff Ice the previous night. My ear canals were still filled with water after I came back from swimming a few laps at the gym, when I noticed my fridge was dry. Therefore as an alternative to the wine cooler, I reached out for Plath instead, and her ghostly presence hovered about in my dorm room. I nelgected to call the Ghostbusters.


Inspired by dead things again. I don't think this is healthy.

For poetry that isn't inspired by the ghosts of dead poets, hover over to
Poetry Thursday.

Labels: ,

Wednesday, October 25, 2006
Poetry Thursday: Wing and Thorax

Wing and Thorax
// edit. thanks to Catherine for the insight.

Wing and Thorax in a Borrowed Cubicle

Day One
She keeps a dead butterfly
in a clear plastic coffin. Cotton,
flattened, lines its bed. I look away,
think it moved a wing.

Day Two
Pick it up; lift it closer to my eye.
It is orange, specked white at the wing tip,
the shade of rotting pumpkins on porch steps.
Antennae absent. Missing proboscis.
But its eye is there, stares back
aflame, a carved jack-o-lantern
and asks me what I’m looking at.
Turn it over. Underneath is a crack
in the plastic and a sticker holding
it together saying “TAIWAN
AL AT URA,” the cotton inside
like caged clouds in a storm.

Day Three
I open the coffin. The cotton clouds puff.
Put it to my nose, but it does not rot.
Put a forefinger on the forewing and
a thumb on the hindwing. Wings are
soft as air, but I press too hard and
crack its thorax in half. I feel it in
my own gut, like the rip of flesh from
a fresh suture, the wound still alive and
I panic close the coffin too quickly
pinching a corner wing, ripping cells, scales,
but leave it be because mama
always said never to touch open wounds, so
I pretend I didn’t see it flutter a wing.

This week at Poetry Thursday, we were asked to find inspiration from something that caught our attention in a room we spent the most time in. I've been sitting at my coworker's desk, (because she's away on vacation) and there really is a dead butterfly next to her monitor. It has been fluttering in my thoughts since Friday morning, between Excel spreadsheets and episodes of Grey's Anatomy, that I keep imagining it's alive and trying to get out. I know that by telling you this, it sounds like I'm not sober at work, but all I drink here is Hazelnut coffee. Really.

Dead things just activate my imagination.

If you want to read more poetry, not inspired by dead animals or hallucinations from a girl in corporate america, flutter to Poetry Thursday.

Labels: ,

Thursday, October 12, 2006
Poetry Thursday: Memory Wrinkles

This week's prompt at Poetry Thursday was to find inspiration from a newspaper, using anything from a story or an advertisement as a jumping-off point for a poem. Lately, news about the deaths of those Amish school children have been all over the papers. And today, I came across this beautiful, yet haunting image of one of the funeral processions.


by Associated Press Photographer Matt Rourke

In the photo, the man looks unmoved, eyes straight ahead, his face without expression. I don't equate that with indifference, but rather with strength... in a moment of tragedy and death. And I began to think about the way people cope, or are unable to cope, with death.

Memory Wrinkles

I was helping you clean
your room, because that's what
friends do, except
we were more than just that. We were
memories. Underneath
a pile of shirts, wrinkled
like dead leaves, you found
your dead uncle on
a digital photo montage cd.
(the uncle you so loved
yet so rarely spoke of)
You played it and we watched it
in the background, the way
we do many things, like listen
to music, listen to each other,
have sex, make love, love,
in the background - too busy
folding your old clothes.

In the background, your uncle
aged in photographs, grew
young and aged again.
In the background, spanish techno
played as snapshots of him
dancing, drinking, dillydallying,
as if alive to the sound.
In the background, I lifted
up a yellowed white shirt, with
holes for each finger. You told me
you were going to keep it. Had
your mantra, you said, "It's not illegal
unless you get caught" and I smiled
at your inability to let go
of meaningless meanings.

The last song on the digital
photo montage cd was Queen's
"Another One Bites the Dust" -
you stopped it before the chorus,
and I was ready to protest. Then
you said: it just didn't seem right,
for them to choose that song, didn't
need a reminder, still missed him.
But before I asked who them was,
I said "Yeah" and thought quietly
that it was a good song, nonetheless.

You threw the cd on top of the
yellowed white tshirt with holes.
And we were silent, except
for the rustle of fabric, of hands
running across cloth, smoothing
out the memory of wrinkles.

Labels: ,

Wednesday, October 04, 2006
Poetry Thursday: Brush in your eyes

Last semester, I took an advanced senior seminar entitled Body Projects in which we studied common, as well as uncommon forms of body modification and treatment. After reading this week's Poetry Thursday prompt, I wanted to dig up a few observations and realizations I made in one of my papers:

Identity, which can easily be understood as one’s perception of oneself, is now, more than ever, being equated with one’s physical and exterior appearance. While it is implicit that identity formation and acceptance does involve the participation of an outside party, in that the creation of identity is always juxtaposed with standards within one’s culture, “Cosmetic surgery literally transforms the material body into a sign of culture” (Balsamo 210). Identity no longer belongs in the mind, in one’s perception, but rather materializes itself onto the body’s parts. This materialization, these body modifications, because they are dependent on culturally accepted norms, is what defines the body as “a sign of culture,” as the bearer of cultural and social attributes, which in effect can redefine one’s identity...

While we understand that identity, if left solely to individual perception, becomes indeterminate until it is also placed within a cultural context, redefining that identity solely on the cultural context is also problematic. It renders identity, like gender, as obscure and ambiguous, and places pressure on the individual to continuously define and redefine himself through body modification. It fragments the body into parts, where Western ideals of race and beauty as well as an upper class image are values, which could potentially become a problematic global standardization project, stripping the globe of individual identity, and replacing it with what’s culturally “en vogue.”

excerpts from my paper Redefining Identity Through Cosmetic Surgery, a response to Anne Balsamo’s article, On the Cutting Edge: Cosmetic Surgery and the Technological Production of the Gendered Body


It's unfortunate that our bodies have the power to become our voices, and even more unfortunate that unlike Whitman, we as a society no longer see "a man's body... a woman's body [as] sacred." Even in our attempts to define ourselves in opposition to the status quo, we continue to use our bodies to form our identity against a cultural context. I don't necessarily think that this is detrimental to the process of identity formation - what is detrimental is that we no longer form ourselves from within, but rather from someone else's vision. It no longer begins with our souls, but rather ends there. It seems as though as our exterior bodies become more malleable, the very substance of our identities, the core, the heart, the soul, also softens.

This week, my poem is about this very idea of identity formation, how as individuals we fall subject to the gaze, become trapped within it, and in turn also become eyes.
__

Brush in your eyes
Your eyes drop
color onto my cheeks.
A hungry breeze, eating
warmth from my skin.

All you know are brisk layers,
tints, shades, hues
of you – not me.

Vicious you. Drops
spots of paint across a body
that wants no texture, only
smooth clean lines, a
smooth clean surface,
free of sticky smears .

I think: I am free
of dissolution when
you turn your back,
point your toes
away
to a new canvas, and
I laugh, rejoice
at the solution of dissolving
coated dips off my skin, but

in the ecstasy of
ridding myself
of you, I find

I cannot cleanse your eyes off my body
layers do not dissolve
but overlap, color
upon color
until all I can see are spots of me
cleaving underneath.

Labels: ,

Tuesday, October 03, 2006
Motion of Mt. Fuji

Motion of Mt. Fuji

White sky, sun
I cannot trace its shape
with my forefinger
its heat flattening.

The canoe rocks
still water. I lean
back and throw the
net overboard, balancing
my weak knees against
the fractured edge.

My back and neck taste
water and tips of grass
graze me as the boat tips.

I am the disruptor, slicing
a line between the sky
and air, ripping the scar of
imaginary seams.

A view of Mt. Fuji:
the sky like water,
unmoved, ensnared, repels
against the buoy of the boat.

I pull the net, empty
emptiness into a tub
beside my bones, catching
rising grass - some violet
lilies in violent bloom.

I throw the net back again, and in
that motion of arching backward
then forward, of seizure and
release, a swallow flies
escapes, its vibrations grazing the net.

And I think: how I long to be those wings.

Labels: ,

Friday, September 29, 2006
Poetry Thursday: At Odd Times, I Trip

At Odd Times, I Trip

I.
Last night, I found you
again, your lost red slipper peaking beneath
the locked door. I thought
I almost heard it scratch at the wood,
the way rays stab open eyes at noon.
The sound hung like the sun,
daunting, blinding, ever-present,
warm. I kicked it back, stubbed
my little right toe, so
i sat frozen, only for a second,
to let the pain pass, the way
funeral cars travel,
slowly, heavily, like lungs taking
a breath too deep - pinky pain
seeping to an innocent toe, my feet
seeking together solace in stubbed misery.

II.
The presence of you trips at odd times.
The prescents of you trip at odd times.

III.
In my refusal to acknowledge you, floating
in the air as heavy mists do, i succumb,
and the memory of you condensates on
my face, legs, lips like dew on leaf. With
the back of my hand, I wipe off moisture.

IV.
There are days when the air is dry, when
I can taste stale dirt under my tongue - air
gritty, brown as cracked earth, dried blood.
Too difficult to swallow, so I choke.

V.
I keep that door locked, locking
in your scent, a red
sunset frozen in the retina
of my eye. When your presence trips,
I only give a blink, catch a swift whiff,
afraid the ghost of you will enter my lungs,
reach each cavity, and the ends and edges
will snap and fall, as red berries drop
from branches, onto asphalt,
painting the soles of stomping shoes,
leaving the tree dry.

__

This week's Poetry Thursday prompt was to explore the idea of synaesthesia as a poet, to allow our senses to merge and mingle with one another for a heightened experience of the physical and emotional world. I must admit that I found the task to be quite challenging, unable to successfully capture color as a sound, emotion, touch. I think I made the task even more complicated when I decided to include the idea of memory, of presence, and of loss and grieving into this poem. After I started writing, I realized that I was making the natural difficult. As poets, we do practice synaesthesia. We may not be grapheme --> color synaesthetes or music --> color synaesthetes, but we certainly and truly are life --> language synaesthetes, able to evoke the memory, emotion, and experience of our being through words. We see life in verbs and nouns, commas, line breaks, modifiers, beats, meter, rhyme. While most synaesthetes are solitary in their perception of the world, unable to transfer the experience to another unless that person is a synaesthete him/herself - we, as poets, are able to transfer our experiences, share it with others through language.

Labels: ,

Thursday, September 21, 2006
Poetry Thursday: Learning to Breathe

Learning to Breathe

I.
I just learned how to swim.
I touch bottoms of deep pools,
six feet, seven, some
eight feet down
where worlds are always coudy,
bound.

II.
Pool tiles attract my skin
as magnets do
energy in the in-between
intimate and foreign
like gaps between lips,
top to bottom,
yours and mine, leaving
prints on fingertips,
the size of scars, a lash, a whip.

III.
In water, I am creature of the sea,
secreting secrets through simple strokes.
In water, I grow fins and
scales and shimmer in the light
in spite of airless lungs, i lunge,
without a set of gills, i lunge
into the depths, where
wounds are wombs in worlds,
cloudy, bound, like skin
twitching to a strange caress.

IV.
I did not just learn how to swim.
The water is a memory of faith,
that despite my airless lungs, I
can lunge and break
the surface, breathe again,
survive in gulps and glide
at bottom's depths, and live
without the fear that I
will drown.

V.
Water is a memory,
from mother earth we come not,
but from a whipping wave,
bound to mother sea.

___

This week's prompt at Poetry Thursday asked us to be true to our authentic selves. Up until this very moment, I always thought I would be victim to my periodic panic attacks and slight anxiety disorder. As odd as it may seem, swimming has helped me learn how to breathe - literally and figuratively. I can now control my breathing, both in the water and out, able to calm myself down successfully during an attack. Perhaps the weak and anxious girl I see in the mirror every morning is the facade my strong self carries. Maybe I was born a mermaid, and just neglected to flip my fins.

Labels: ,

Monday, September 18, 2006
One Deep Breath: Dogwood Dress

Prompt: Delicious Autumn from One Deep Breath

So, here the haiku goes...

Dogwood Dress

The dogwood leaves bruise,
Slouch to the breeze like shoulders
To an old purple dress.

Labels: ,

Sunday, September 17, 2006
Poetry Thursday: Scat Stranger

for Poetry Thursday

Scat Stranger

Weakness is a stranger in my bed. He gnaws
at my grey pillow shams forgetting
to take off his socks. We make love to
Lady Ella - tone and horn filtering
through ears, unexpectedness of jazz
carrying hips through night. And
when the half moon is high above our heads,
the record repeats. But before it begins,

Silence is a stranger. This Silence wears a teal
bow tie, carries a cane. Teal as an antique teapot. He
is the antique, the pause between worlds.
Not serenity nor peace. I do not recognize
them. I come to shake their hands, but
they are white-gloved.
Trace their fingers over my collarbone
to pick up dirt - my, i'd not go to bed
with that - and i curve under covers.

Before the record repeats, Silence
whispers in my ear, so close i cannot hear,
leaving my neck cold and hungry. He
puts down his cane and forgets
to take off his socks, and
his bowtie, like a dancer in a naughty club,
wearing bells around his hips as he tap dances
tap tap tap
to the edge of the stage and I touch abdomen
to play the record. It scratches,
crackles,
a bonfire, sparks
rise, gives birth
to Love, my stranger, who is friend
enough to not forget to take off his socks.

I must feel toes to know a stranger, to
be a friend. Know the curves, how
sharp the nails. But Love, without socks,
has toes the bark of trees, like memories
rough and rigid, repeated. How strange
that we
become three, with a
tap tap tap
after the horns and the tone
after Lady Ella sings her scat.

**

The more I tried to become the other person, the more I became myself.

Labels: ,